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merissa modansky

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Any day that you can wear a costume to work is a good day. I’m lucky enough to work somewhere that occasionally encourages it. This year we had a mini Harry Potter festival. So, it was suggested that the staff dress up for “Wizard Wednesday”.

I already had a basic Hogwarts student cosplay. But, I wanted something a little bit more interesting. I decided to do a Ravenclaw Quidditch outfit. I only had about seven weeks to get the whole thing together and wanted to spend as little money as possible. This meant that I had to push all of my costume making skills to their limits.

When Scales and Scoundrels: Into the Dragon’s Maw came across my desk in a box of YA books, I decided to give it a read. The art looked good and a fantasy treasure hunt adventure fits nicely into my pleasure reading pile.

The main character is a young woman named Luvander. She may be a dragon in disguise, or a half dragon, or maybe possessed by a dragon. It’s left a little vague. A flashback with a young Luvander and a dragon, and some unusual talents are most of the information we get. Luvander does tell one of her companions that she’ll explain later, perhaps in the next volume.

I recently had the opportunity to visit The Museum of the Moving Image in Astoria, New York. It’s home to the Jim Henson Exhibition, which I had been excited to see since before it opened. This was my main reason for the visit, but the Museum has much more to see the Jim Henson Exhibit is more or less set up chronologically. It begins with Henson’s early work in advertising and corporate training films, early versions of some familiar faces appear in some of these, which is quite amusing. Rowlf on The Jimmy Dean Show and Kermit on Sam and Friends were some of the first appearances of The Muppets as we know and love them.

I love mystery stories, despite being a terrible detective myself. One of my favorite series (as in pre-order months in advance) is the Flavia de Luce series by Alan Bradley. They have so many things that appeal to mystery lovers: an English countryside setting, a past-its-prime estate, a loyal sidekick. What it has that others don’t is a heroine unmatched in cleverness and sass, Flavia de Luce.

“When I was your age, television was called books,” the grandfather from The Princess Bride movie tells his grandson. Television and movies often start out as books, and The Princess Bride is no exception. It was based on the 1973 book The Princess Bride: S. Morgenstern’s Classic Tale of True Love and High Adventure: the “Good Parts” Version and was written by William Goldman. William Goldman also wrote the screenplay for the movie, which makes for an interesting comparison between the two.