I did it; I caved. I downloaded “Chapters,” one of the myriad of mobile storytelling apps. Listen, I’m not proud of it, but boredom is a powerful motivator. Since rediscovering my love for urban fantasy last year, I was thrilled to discover one of the “books” offered in the app was a clusterf*ck of a love story: ordinary human girl, Ari, discovers her mother made a deal with the devil. At the ripe old age of 18, her mother’s contract expires, and Ari must strike another deal: her mother will live, on the condition that Ari goes to Hell, is courted by each of the devil’s seven sons (modeled after the seven deadly sins), and then marries one. Whichever son she chooses is suddenly elevated from Prince to King of Hell, and has complete dominion over it.
The first book co-stars the terrifyingly sexy Lord Eric of Shanekill— a bloodthirsty warrior whose reputation precedes him— and the Lady Faith— a beautiful, kind outcast with a gift for medicinal work— okay, you know what, it should actually go like this:
But even if it’s not: a tasty recipe awaits.
Last spring, Shea Ernshaw’s debut YA novel, The Wicked Deep, was all the rage.
I bought it because of the summary. It sounded like a less campy riff off Hocus Pocus and called to me like a siren’s song. But I quickly put it on one of my shelves and forgot about it, because I have a book-buying problem. But, at least I admit it. I finally read it for the sake of this column and oh my gosh. I should’ve read it as soon as I brought it home. But, I’m glad I actually, finally got around to it.
Enter Gerard Way’s Doom Patrol Volume 1: Brick by Brick.
Back in 2016, Way was tasked with the curation of DC’s Young Animal imprint; a branch of the company that explored offbeat, eccentric comics for “dangerous humans.” The reboot of Doom Patrol was Way’s baby; an admitted fan of Grant Morrison— whose run of The Doom Patrol in the ’90s is still perhaps the best-known and most-beloved— Way’s version of Doom Patrol reads like an enthusiastic, sincere love letter to Morrison’s run of the series
But more than that— it’s a hell of a lot of fun.
One of those favourites is the Sweet Tooth series by Canadian comics pro Jeff Lemire, a Vertigo-brand title that spanned from 2009-2013 (I can’t believe how fast time has flown by!). If you’re new to comics, or even if Sweet Tooth flew under your radar (I get it. Comic releases are diverse and plentiful, there’s no way to read every single amazing title out there), here’s why you should read it:
Enter Peter Panzerfaust.