Harley Quinn was first introduced to the DC Universe in the early ’90s as the Joker’s sidekick and romantic interest. In her origin story, Harleen Quinzel was a doctor at the Arkham Asylum, who fell in love with the Joker while he was her patient. She was driven mad by her love for him and became the villain, Harley Quinn.
A good superhero movie will leave you with a lot to think about, whether from a moral and philosophical standpoint or simply from a “that was great, I want more, and what did that little Easter egg mean?” standpoint. I think especially for self-identified geeks, they give us a fantastical way to suss out our feelings about the world while letting us escape from it for a few hours. Zack Snyder gave me four good hours of escape this weekend.
The problem with trying to objectively review a Zack Snyder movie is just how polarizing he can be to comic fans and casual moviegoers alike. It feels like people either love his style (guilty) or find him to be a total drag. That said, I think if you love DC comics, you’ll at least appreciate what Zack Snyder is trying to do with his take on the Justice League’s origins. Fair warning, this review will have some very light spoilers for Zack Snyder’s Justice League.
Setting aside the 2017 theatrical cut for a moment, let’s just talk about the movie as a standalone. As a follow-up story to Batman v Superman: Dawn of Justice, Zack Snyder’s Justice League does an excellent job of paying off what the previous movie promised. We open on the immediate aftermath of Superman’s death and see Lex Luthor’s prophesied bell “ringing” to wake up this movie’s big bad guys. What follows is 6 chapters (a total runtime of 4 hours and 2 minutes) that take their time to craft a story rich with lore and nods to the source material that brought it to life. Watching it sometimes felt like Lord of the Rings in its attention to narrative details and world-building. Each member of the Justice League gets a moment to shine and develop their stories, making the final battle feel appropriately high stakes and the ultimate team-up pay off.
Some things remain from the the 2017 theatrical release (albeit not many), some for better and others for worse. I don’t find Steppenwolf to be a particularly compelling villain/antagonist, but I understand that we need something big and bad for the Justice League to team up against, so in that regard he felt like a worthy foe. The extended runtime gave the story room to unwind itself and let the large cast of characters breathe and develop. On that note, the casting is excellent and this movie left me wanting more of this particular Justice League (especially the epilogue!)
I’d be remiss if I didn’t spend a moment to compare and contrast against the theatrical cut of Justice League. This review, as much as it can, is based on the merits of the film. However, I can’t wholly set aside my criticisms of Joss Whedon’s take on Justice League, some of which weren’t to my taste, while others are issues most critics and fans agree made the theatrical cut unpopular. The pace and tone of this movie are a better fit to Batman v Superman and the story set up in that movie. And, while the movie is more somber than the Whedon version, there are moments of levity that add humor without making you cringe. Key differences in music and dialogue will either delight or dismay you, depending largely on how you like your superhero movies; fans of a more serious take on DC comic characters will be pleased.
All in all, I recommend you give Zack Snyder’s Justice League a try. Its runtime may be daunting, but it’s nothing some snacks and a planned intermission or two can’t fix. Personally, I didn’t want to leave this story once I jumped in; I had planned to watch it in two, spaced out two-hour long blocks and ended up blitzing through it in one. Expect Zack Snyder’s usual flair: desaturated colors, slow mo action, somber tone, and dramatic music cues with sweet guitar riffs. If that’s not something you’ve liked in his other movies, then the Snyder Cut might not be for you. That said, if you’re a DC fan, I think you’ll be glad to sink into this dense comic book story for a few hours and get lost in lore. I know I was.
A Long Island-based cosplayer of nearly six years, Sophia, or Alana Knight as she’s called on the fan convention circuit, is known for her bold and versatile cosplays.
The season of giving is upon us! No matter what holiday you celebrate, December is the perfect month to cuddle up by the fire with a full mug of cocoa and a good book. If you’re too busy to read a traditionally-published novel, you can always veer into comics and graphic novel territory: they’re fast, they’re gorgeous, and they’re so easy to get lost in, you won’t even notice the passage of time as you dive into the script and wonderful art.
So the summer-long search for the perfect romance was a bust; on the bright side, September is half-over already, which means October is just around the corner. I’m feeling that vibe, you know? And besides that, it’s been like, three months since I picked up a new comic. I was itching for some new (to me) material.
Enter Gerard Way’s Doom Patrol Volume 1: Brick by Brick.
Back in 2016, Way was tasked with the curation of DC’s Young Animal imprint; a branch of the company that explored offbeat, eccentric comics for “dangerous humans.” The reboot of Doom Patrol was Way’s baby; an admitted fan of Grant Morrison— whose run of The Doom Patrol in the ’90s is still perhaps the best-known and most-beloved— Way’s version of Doom Patrol reads like an enthusiastic, sincere love letter to Morrison’s run of the series
But more than that— it’s a hell of a lot of fun.
I have mixed feelings.
I wanted a snazzier intro than that, but as I’ve learned time and time again (most recently, this week) you can’t always get what you want. When Mystik U— helmed by celebrated romance author Alisa Kwitney and Revival artist Mike Norton, with stunning colours by The Nameless City’s Jordie Bellaire— was announced as an official go last year, I was ecstatic. Both Norton and Bellaire are Eisner award winners.
Zatanna Zatara is one of my underrated favs— the fact that she was set up to be the lead of her own prestige-format limited series had me over-the-moon. Like, I was literally sold with just her involvement. Add in a magical university setting, a book that’s mainly targeted at a YA audience, and a boatload of underused DC characters, and this sounds like my dream.