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Love him or hate him, one thing is abundantly clear: Zack Snyder loves DC comics.

A good superhero movie will leave you with a lot to think about, whether from a moral and philosophical standpoint or simply from a “that was great, I want more, and what did that little Easter egg mean?” standpoint. I think especially for self-identified geeks, they give us a fantastical way to suss out our feelings about the world while letting us escape from it for a few hours. Zack Snyder gave me four good hours of escape this weekend.

The problem with trying to objectively review a Zack Snyder movie is just how polarizing he can be to comic fans and casual moviegoers alike. It feels like people either love his style (guilty) or find him to be a total drag. That said, I think if you love DC comics, you’ll at least appreciate what Zack Snyder is trying to do with his take on the Justice League’s origins. Fair warning, this review will have some very light spoilers for Zack Snyder’s Justice League

Zack Snyder's Justice League Left Me Wanting More

Setting aside the 2017 theatrical cut for a moment, let’s just talk about the movie as a standalone. As a follow-up story to Batman v Superman: Dawn of JusticeZack Snyder’s Justice League does an excellent job of paying off what the previous movie promised. We open on the immediate aftermath of Superman’s death and see Lex Luthor’s prophesied bell “ringing” to wake up this movie’s big bad guys. What follows is 6 chapters (a total runtime of 4 hours and 2 minutes) that take their time to craft a story rich with lore and nods to the source material that brought it to life. Watching it sometimes felt like Lord of the Rings in its attention to narrative details and world-building. Each member of the Justice League gets a moment to shine and develop their stories, making the final battle feel appropriately high stakes and the ultimate team-up pay off.

Some things remain from the the 2017 theatrical release (albeit not many), some for better and others for worse. I don’t find Steppenwolf to be a particularly compelling villain/antagonist, but I understand that we need something big and bad for the Justice League to team up against, so in that regard he felt like a worthy foe. The extended runtime gave the story room to unwind itself and let the large cast of characters breathe and develop. On that note, the casting is excellent and this movie left me wanting more of this particular Justice League (especially the epilogue!) 

Zack Snyder's Justice League Left Me Wanting More

I’d be remiss if I didn’t spend a moment to compare and contrast against the theatrical cut of Justice League. This review, as much as it can, is based on the merits of the film. However, I can’t wholly set aside my criticisms of Joss Whedon’s take on Justice League, some of which weren’t to my taste, while others are issues most critics and fans agree made the theatrical cut unpopular. The pace and tone of this movie are a better fit to Batman v Superman and the story set up in that movie. And, while the movie is more somber than the Whedon version, there are moments of levity that add humor without making you cringe. Key differences in music and dialogue will either delight or dismay you, depending largely on how you like your superhero movies; fans of a more serious take on DC comic characters will be pleased.

All in all, I recommend you give Zack Snyder’s Justice League a try. Its runtime may be daunting, but it’s nothing some snacks and a planned intermission or two can’t fix. Personally, I didn’t want to leave this story once I jumped in; I had planned to watch it in two, spaced out two-hour long blocks and ended up blitzing through it in one. Expect Zack Snyder’s usual flair: desaturated colors, slow mo action, somber tone, and dramatic music cues with sweet guitar riffs. If that’s not something you’ve liked in his other movies, then the Snyder Cut might not be for you. That said, if you’re a DC fan, I think you’ll be glad to sink into this dense comic book story for a few hours and get lost in lore. I know I was.

As someone who has dedicated most of her life to studying comic books and specifically women in comic books, I have come to the realization that the Batverse is the most sexist subsect of any comic book universe, whether it be Marvel or DC.

Now that can be seen as a bold claim being that nearly every comic book female in existence was created from and put through sexist, patriarchal, misogynistic storylines and arcs. But, the Batverse is the worst offender.

I’m sure I’ve ticked off someone by now, but I come with receipts so here we go. 

Sexism in the Batverse

First off we have Catwoman’s creation

Sexism was entrenched in Catwoman’s very creation and, unfortunately, she never escaped those restrictions. Here is a direct quote from her creator Bob Kane:

I felt that women were feline creatures and men were more like dogs. While dogs are faithful and friendly, cats are cool, detached, and unreliable. I felt much warmer with dogs around me—cats are as hard to understand as women are. Men feel more sure of themselves with a male friend than a woman. You always need to keep women at arm’s length. We don’t want anyone taking over our souls, and women have a habit of doing that. So there’s a love-resentment thing with women. I guess women will feel that I’m being chauvinistic to speak this way, but I do feel that I’ve had better relationships with male friends than women. With women, once the romance is over, somehow they never remain my friends.

Gee BOB, why would any woman find you sexist?

Most of Catwoman’s storylines revolved around Batman: being his love interest, being unable to find herself and stand on her own without him, and questioning her ability to do her job after she had a child. The last point is a problem not a single male hero has ever thought about. 

Sexism in the Batverse

Next we have the treatment of Barbara Gordon

Specifically in The Killing Joke. Now, every argument you may have in your mind right now to defend this absolute waste of a comic book, I have no problem destroying.

The Killing Joke is often touted as one of the greatest comic storylines of all time and, honestly, there is no reason for it. Yes, I understand that the Joker is supposed to be sadistic and evil. Does that justify the mutilation, stripping, implied rape, and paralyzation of Barbara? Absolutely not.

And in case you were wondering, the paralyzing of Barbara Gordon is 100% an example of fridging. She’s used as a plot device to cement the Joker’s vendetta against Commissioner Gordon and Batman.

Alan Moore himself, the writer of The Killing Joke, said that there is no deeper meaning to that storyline. He wasn’t saying anything important. There was no message or commentary. Moore asked his editor Len Wein about paralyzing Batgirl and Wein’s response was, “cripple the bitch.”

So not only are the men writing the comics sexist, they so obviously need counseling and more women in executive positions. 

Sexism in the Batverse

Thirdly we have Batman himself

Particularly how he treats the women around him. Now obviously we know that the billionaire is a womanizer, but that’s not even his biggest issue.

The problem lies with his treatment of women like Helena Bertinelli. Most of us know her as Huntress, but she did have a brief stint as Batgirl. Until she was forced out of the role by Batman because she didn’t follow his way of doing things.

She wasn’t allowed to act of her own agency or as her own person while carrying the mantle of Batgirl because, apparently, Batman feels the strong need to control the women around him.

Sexism in the Batverse

Then of course we have Stephanie Brown, the only female Robin.

Stephanie was tortured and murdered, her death never acknowledged by the caped crusader. She became just another Batverse victim of fridging. 

Look, I understand. . .

That some of these characters were created at a time where nearly all men viewed women as property.

But if that’s going to be the excuse used to justify the treatment of these women, their stories and character arcs need to outgrow their misogynistic inceptions. But the reality is that oftentimes the treatment of these characters gets worse as time goes on.

Each of these Batverse characters, as well as this topic of sexism in comic books, gets a more detailed analysis in my podcast Lady Comic Book History.

If you listened to Episode 006 of The Sartorial Geek Podcast, you know that our guest Joey Ellis is a big big fan of Batman, particularly the Batman animated movies.

For those of us who have a hard time moving past the fact that not everything animated is for kids (or who haven’t kept up with every piece of Batman news for the past 30 years), here’s a list of our designer’s favorite movies: